Nargaroth
Apocalyptic Steel
Artist: Nargaroth
Catalog Number: SUA162
Release Date: June 26th, 2026
- Intro
- Steel Apocalypse
- Twisted Steel
- I Drink Alone
- Metalheart
- Dresden
- Shelter the Faithless
- Man of Mayhem
- Requiem Germania
Apocalyptic Steel
NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
Apocalyptic Steel is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while Era of Threnody took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and twelve years after its first sessions, the album is finally here. This is not a vault curiosity. It is Nargaroth at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel" to the band-name-studded battle cry of "Metalheart", from the unflinching historical weight of "Dresden" to the aching Germanic longing of "Requiem Germania", this is an album that has nothing to prove and wastes nothing on pretence. Recorded fast, recorded dirty, and finished on its own terms.
Apocalyptic Steel is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while Era of Threnody took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and twelve years after its first sessions, the album is finally here. This is not a vault curiosity. It is Nargaroth at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel" to the band-name-studded battle cry of "Metalheart", from the unflinching historical weight of "Dresden" to the aching Germanic longing of "Requiem Germania", this is an album that has nothing to prove and wastes nothing on pretence. Recorded fast, recorded dirty, and finished on its own terms.
