Posted on January 28, 2026
Crippled Black Phoenix
Macabre Rock - United Kingdom
Crippled Black Phoenix are approaching a new threshold with Sceaduhelm, an album that withdraws from outward spectacle and turns instead toward interior collapse, exhaustion, and moral attrition. Severe, restrained, and emotionally exposed, the record presents itself not as a dramatic statement but as a slow accumulation of unease. Where earlier works often grappled with collective trauma or historical violence, Sceaduhelm listens to what lingers afterward: fatigue, memory, complicity, and the quiet weight of survival. The result is a unified emotional landscape rather than a narrative concept, marked by repetition, patience, and unresolved tension.
Crippled Black Phoenix was formed in 2004 by multi-instrumentalist and songwriter Justin Greaves, initially conceived as a fluid musical project rather than a fixed band. Emerging from Greaves’ post-Iron Monkey creative reset, the project was built around collaboration, instability, and a refusal of rigid identity. From the outset, Crippled Black Phoenix positioned itself as a voice for the marginalised and dispossessed, whether human or animal, individual or collective. This ethical undercurrent has remained constant throughout the project’s evolution, shaped in close creative partnership with vocalist and lyricist Belinda Kordic, whose role has extended far beyond performance into the wider artistic and conceptual framework of the band.
The band’s early releases established a reputation for long-form compositions, cinematic pacing, and emotional gravity. Albums such as A Love of Shared Disasters and The Resurrectionists introduced a sound rooted in repetition and slow transformation, drawing as much from post-rock and folk traditions as from metal’s sense of weight and endurance. With I, Vigilante in 2012, Crippled Black Phoenix reached a wider audience, refining their songwriting into more direct structures without abandoning their commitment to atmosphere and tension. The album remains a reference point within their catalogue, both for its accessibility and its bleak emotional clarity.
Subsequent releases resisted consolidation. White Light Generator and Bronze expanded the band’s textural range, incorporating harsher dynamics, sharper political commentary, and a more confrontational production approach. Great Escape functioned as both retrospective and recontextualization, drawing together material from various sessions into a fractured but revealing whole. Throughout this period, the band’s identity remained deliberately unstable, with shifting lineups and an ongoing refusal to settle into a predictable formula.
In 2020, Ellengæst marked another pivot. Built around the use of multiple guest vocalists alongside Kordic, the album explored themes of death, memory, and historical residue, earning recognition for its cohesion and emotional impact. Rather than treating guest contributions as novelty, Crippled Black Phoenix used contrasting voices to deepen the album’s sense of dislocation and grief. The pandemic-era context further sharpened the record’s introspective tone, even as live activity was forced into suspension.
That inward momentum continued with Banefyre, a record concerned explicitly with persecution, inequality, and the violence inflicted on those deemed different by society. Drawing on historical and symbolic imagery, the album balanced outrage with ritual, placing acts of oppression within a broader continuum of human cruelty. Its production embraced rawness and abrasion, reinforcing the band’s long-standing commitment to evolution over repetition. Banefyre reaffirmed Crippled Black Phoenix as a project unwilling to offer comfort or resolution, even as it expanded their sonic and thematic reach.
Sceaduhelm emerges from this lineage as a narrowing of focus rather than a departure. Written primarily between 2023 and 2025, the album developed through uncertainty, self-questioning, and prolonged doubt. The process was deliberately fluid, allowing compositions to remain open and emotionally vulnerable until late in production. Justin Greaves remains the sole composer of the music, with lyrics written after the fact and assigned to voices according to emotional fit rather than hierarchy. Belinda Kordic, Ryan Patterson, and Justin Storms share vocal duties, each occupying a distinct but aligned psychological register.
Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.
Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.
Line-up:
- Justin Greaves : Guitars, Drums, Bass, Samples, Saw
- Belinda Kordic : Vocals, Percussion
- Justin Storms : Vocals
- Ryan Patterson : Vocals
- Andy Taylor : Guitar
- Rene Misje : Guitar
- Wesley J. Wasley : Bass
- Robin Tow : Percussion
- Lucy Marshall : Piano
| Date | Venue | City | Country | Info | Ticket |
|---|---|---|---|---|---|
| May 1st, 2026 | Hellseatic Festival | Bremen | Germany | Buy Ticket | |
| May 2nd, 2026 | Headbanger's Balls Fest | Izegem | Belgium | Buy Ticket | |
| May 3rd, 2026 | Petit Bain | Paris | France | Buy Ticket | |
| May 4th, 2026 | Doornroosje | Nijmegen | Netherlands | Buy Ticket | |
| May 5th, 2026 | Forum | Bielefeld | Germany | Buy Ticket | |
| May 6th, 2026 | Club Volta | Köln | Germany | Buy Ticket | |
| May 7th, 2026 | Substage | Karlsruhe | Germany | Buy Ticket | |
| May 8th, 2026 | Colos-Saal | Aschaffenburg | Germany | Buy Ticket | |
| May 9th, 2026 | Club Vaudeville | Lindau | Germany | Buy Ticket | |
| May 10th, 2026 | franz. K | Reutlingen | Germany | Buy Ticket | |
| May 11th, 2026 | Backstage | Munich | Germany | Buy Ticket | |
| May 12th, 2026 | Arena | Vienna | Austria | Buy Ticket | |
| May 13th, 2026 | A38 | Budapest | Hungary | Buy Ticket | |
| May 14th, 2026 | Rock Cafe | Prague | Czech Republic | Buy Ticket | |
| May 15th, 2026 | Beatpol | Dresden | Germany | Buy Ticket | |
| May 16th, 2026 | Desertfest | Berlin | Germany | Buy Ticket |
Posted on September 25, 2025
CRIPPLED BLACK PHOENIX is set to embark on its Sceaduhelm Tour 2026, bringing the sweeping, melancholic landscapes of its catalogue to venues across Europe. This new leg represents a commitment to live theatre as integral to the band’s identity, a commitment borne from years of evolving performance and atmospheric intensity.
Posted on November 27, 2024
Horrific Honorifics Number Two (2), an unapologetic declaration of reverence, sees CRIPPLED BLACK PHOENIX laying bare the influences that have long seared their spirits with incandescent defiance. Within Horrific Honorifics Number Two (2), the band transforms seminal tracks such as Fugazi’s Blueprint and Laura Branigan’s Self Control into haunting renditions that challenge the listener to peer into these classics through a new, unflinching lens. The intricate layers woven by founder Justin Greaves and Belinda Kordic’s haunting melodies envelop each note with authenticity and raw power.
Posted on November 20, 2024
The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) encapsulates the raw journey of CRIPPLED BLACK PHOENIX, led by the unyielding Justin Greaves. This double-album magnifies their essence, intertwining the echoes of their multi-faceted past with unflinching tributes to the music that shaped their path.
Posted on November 8, 2024
Fronted by Justin Greaves, CRIPPLED BLACK PHOENIX has carved a path that speaks to the voiceless, the marginalized, and the disenchanted. The Wolf Changes Its Fur But Not Its Nature is a raw and evocative testament to their journey – an anthology of reworked and re-recorded classics that resonate with renewed vigor and raw emotion.
